A&H//06
MATRIX//.
The ML5000 provides a 12 x 8 matrix sourced from GRP/AUX 1-8, the main LRC mix and external
inputs. Conveniently positioned away from the other controls, these can be used to create
independent mixes for distributed speaker systems, recording, broadcast, video and other special
feeds. They include automated mutes, talkback assign, balanced XLR outputs and inserts for patching
in important processing such as EQ, dynamics or delay. The outputs can be auditioned in mono or
stereo by simply pressing one or two AFL buttons together.
THE ‘ENGINEERS TOOLBOX’//.
Lying at the heart of the Master Section is the engineer’s control panel. This provides all the tools the
engineer needs to stay in full control including status switching, console monitoring, system line up
and communications.
METERS - Selects whether the right hand VU meters display aux 9-16 or matrix 1-8 signals.
SOLO-IN-PLACE - Puts the console into destructive SIP mode, indicated by flashing status. This
requires simultaneous pressing of the SHIFT key in the fader area to prevent accidental operation
during performance.
PFL/AFL - Two switches determine the operating mode of the P/AFL system. AUTO-CANCEL where
pressing a P/AFL button automatically turns off any previous selection, or ADD MODE where several
buttons can be pressed to add to the mix, and INPUT PFL/AFL to select whether the input PAFL
buttons action PFL or AFL in-place.
CLEAR ALL - In normal mode this clears any P/AFL selection. In SIP mode it clears the solo selection
by restoring the full mix, and is also used to toggle between full mix and last solo, useful in
comparison checking.
MONITOR SECTION - Provides control of the headphones and stereo local monitor outputs. Source
selection is LR, C or 2TRK. Pressing LR and C together mixes C into L and R, ideal for checking a 3
speaker LCR system. Pressing 2TRK overrides the LR,C selection for easy A/B comparison while
P/AFL overrides any source. A PFL level trim is provided for more comfortable matching to the mix
level. The source can be checked in mono and the local output muted for headphones only
monitoring. The headphones plug in under the front armrest to avoid cables trailing across the panel.
OSC/NOISE - The built-in generator produces either a pink noise signal for system and speaker
testing, or a 1kHz sine wave for equipment line up. The large button routes it to any output with its TB
assign switch selected. The recessed DISABLE switch prevents operation during live performance.
INTERCOM - A ClearCom-compatible interface is built into the console. This uses the talkback mic
and monitor headphones to communicate with other stations, so preventing the annoying
complication of wearing two headsets. A large lamp in the meterbridge attracts the engineer’s
attention when signalled. The engineer selects LISTEN to choose when to listen in to the intercom.
TALKBACK - There are two inputs, one here for a plug-in gooseneck mic, the other on the rear panel
for a cable mic. The recessed switch selects phantom power. Pressing the large button lets the
engineer talk to any of up to 27 outputs with their TB assign switches selected. The button illuminates
to warn if any destination is assigned.
Kommentare zu diesen Handbüchern