ALLEN & HEATH iDR10 Bedienungsanleitung PDF herunterladen (Seite 7)

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The iDR10 Mix Rack

The iDR10 is the 19" Mix-Rack housing the iDR-64 DSP mix engine module, the heart of the iLive system, and the CPU

and RAB (remote audio) modules that manage the control and audio interfaces. It is the mixer itself, configurable and

controllable via Ethernet using an iLive surface or PC. Ten additional slot positions are available to fit the required

combination of input and output modules. Universal voltage power supply modules are fitted at the rear, with the second

supply acting as a redundant back-up. The iDR-10 is intended for live audio rental, touring and show applications. It is

supplied mounted inside a touring grade, shock-mounted flight case with lockable castors and removable front and back

covers.

The user has a choice of modules available to fit in the 10 available Mix-Rack card slots. The same modules may be

loaded into the 4 card slots on the rear of the surface:

8 channel XLR mic/line analogue input module

8 channel XLR line output module

8 channel (4 stereo pairs) digital input module - AES3, SPDIF, Optical

8 channel (4 stereo pairs) digital output module - AES3, SPDIF, Optical

Blank module

The RAB module provides the local headphones output and networked audio options. Up to two EtherSound (ES) card

options may be fitted. These replace the traditional analogue multicore for audio at the surface, communicate the PAFL

and talkback signals, provide mic splitting for FOH/monitor systems, and feeds to EtherSound compatible equipment

such as audio break in/out boxes, speaker processors and multitrack recorders.

Option 1 - No ES cards. No audio network. PAFL and talkback are connected using XLR cables

Option 2 - 1 ES card (ESA). Provides 64 channel CAT5 link for surface and break in/out audio (digital snake)

Option 3 - 2 ES cards (ESA and ESB). Adds system expansion (64 channel digital mic split or expanding to 128 inputs)

The Mix-Rack is well equipped for the stage environment

with a lamp socket for low lighting conditions, LED status

indicators for channel phantom power (local or remote),

mute and PAFL active (ideal for helping the stage tech find

the right socket!).

Control for the system is TCP/IP over Ethernet with an

integrated 3-port switch for connecting more than one

network controller, for example an iLive surface and a

laptop running iLive System Manager software. A PL-Anet

port at both the Mix-Rack and surface lets you use Allen

& Heath PL Series remote controllers to control certain

aspects of the system, for example personal monitor

mixes and triggering scene changes.

For PA companies, AV hire companies and audio system

designers needing a high degree of flexibility, iLive

provides a compact, modular set of components which

can be integrated easily with other control and audio

systems. Like its little brother iDR, iLive Mix-Rack will be

found in venues from clubs to stadia, theatres, multi-

purpose entertainment and conference facilities – in fact,

in any type of live music setting

Scenes Shows and Users

Scenes

One of the key reasons to use a digital console system is to be able to quickly recall the

mix parameters. The iLive Scene Manager is a powerful utility which lets the user

organise, store and recall snapshots of selected parameter settings. The scenes can be

named, have a description added using the on-screen keypad, and have their contents

viewed and edited using Touch-Screen menus. You can choose how much information

is stored in each scene, from just one or two parameters to all mix parameters. For

example, you may want to save just a selection of input channels including names,

colours and parameters for a particular band in a festival situation.

During the live mix, the operator can use the on-screen manager or enable the dedicated keys within the fader bank for scene

recall. The present and next scene are displayed at all times on the Touch-Screen, while a ‘scene safe’ feature is provided to

isolate channels from automated control if things change during a show. MIDI connections are located on both the Mix-Rack

and iLive surface for integration with other managed show devices.

Shows

The on-board iLive memory stores all setup information including mix bus assignment, surface strip configuration, the current

settings, all scenes and parameter libraries as 'SHOW' files. The 'SHOW' is the archive of all settings for ensuring the system

can be fully reset exactly as it was left. Previous shows may be recalled for use again in the future. The show manager utility

allows the user to name the memory and to copy/move the files to and from a USB key. Show files provide a quick way for

the new operator to learn iLive. Simply recall a standard 'template' as a starting point.

Security and User Permissions

The console owner, or administrator, has full control over the configuration and saving

and recalling of data in the iLive system and may create password protected profiles

for up to eight users to restrict their access to important data. The system can be

protected from critical configuration, communication and parameter data being

overwritten by users.

For example, in a ‘festival’ situation, engineers for each act can be given permissions

to store input channel names and colours, and all the associated processing (preamp,

gate, EQ, compressor, etc) during each sound-check or offline preparation. At the

show, each band’s settings can be recalled using Scene Manager without changing the

system fader-strips, bus structure, or graphic EQ settings.

Recall

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